British Architect Puts Giant Zipper On Building In Milan
During Milan Design Week, designers from around the world create exhibitions using the architecture in Milan, Italy. In April 2019, British designer, Alex Chinneck’s exhibition, “Open to the Public,” received positive critical attention. Created in partnership with the British vaping and tobacco brand, Iqos (a division of the American tobacco company, Phillip Morris) the work shows the facade of a building that appears to be unzipping.
There are also zippered installations inside the building: a wall with a partially opened zip and an open zip that creates the illusion of a circular hole in the floor. Each space revealed by an open zip has an eerily glowing light behind it. The light is intended to evoke the glow of a recently lit vape pen—a subtle advertisement for Iquos. According to the artist, the partially open spaces are also a symbol for the fluid boundaries between public and private life in the contemporary world.
Like Frank Lloyd Wright’s architecture, Chinneck’s art installations privilege form over function. The Unlike Frank Lloyd Wright’s buildings, they aren’t constructed from building materials alone. Like Chinnick’s “unzipped” English office building in his previous work, “A Roomful of Rainbows,””Open to the Public” owes its aesthetic to computer-generated imagery (CGI). Hundreds of people have volunteered. Workers from three different factori–es in Germany used fifteen trucks to deliver all of the building materials. Chinneck’s piece took three weeks to complete on site.
Computer-generated imagery aided in the building’s transformation. Once the house was built from steel, stone, and timber, Chinnick enhanced it with computer-generated imagery. His design process included computer modeling, painting, and casting. The installation is roughly fifty-six feet tall. Chinneck’s building is actually two buildings with a computer-generated image stretched across their front entrances. The buildings are Oficina Thirty-one and Spazio Quattrocento. “Open to the Public” is no longer on display, since Milan Design week has ended. When As Chinneck said when his installation was open to the public, his use of light filled his work, and Milan, with,, “positivity and potential.”
[H/T Departures/PHOTOS: Marc Wilmot]